Editing this week. Not it in your ed, you understand, but giving 8 images to 30 ‘togs with the aim of seeing what they would come up with in a limited time. Now with this opportunity and the general sharing attitude within the club there were common themes but no two sets of images shown were anyway near the same in detail. Views were shared and how-to’s extended. This is an important point. Whereas Adobe was, by and large, the most commonly used suite in the room, that did not engage everyone’s imagination the same way. The (unfortunate for some) truism that a no-expense-spared camera body and even more expensive lens doesn’t make a poorly conceptualised image a great one extends to the range of photo-editing suites. Proficiency in composition enables more to be got out of the tools in both cases.
If you don’t know where you are going you will probably find yourself somewhere else is a much quoted aphorism in this blog. Visualisation is the first step in making a successful image, more often, than “Sheer dumb luck” (see the previous two blog posts) and imagination is the fuel for the engine of visualisation.
The broader concept which we are progressing here, at the beginning of 2018, is the development of ideas. There are two basic positions which we can take, previously termed by yours truly as the Get-It-Right-In-The-Camera-ista and Ye-Acolyte-Of-Photoshop. More of the former than the latter myself, both points of view have currency, depending on where we are in the pursuit of an image. The more options we give ourselves in the first instance (Get-It-Right-In-The-Camera-ista) the more we are going to have to work with in the second (Ye-Acolyte-Of-Photoshop). Proficiency in both does not guaranty a good shot. If we cannot see the picture in the first place you are not going to get your best shot. If we don’t compose the elements in the frame it is unlikely to be very appealing.
Repetition is a very good teacher, but with the important caveat that we pay attention to what we are doing differently this time – madness lying in doing the same thing over and over again expecting a different result. And for that we need to know what we are working towards and being open to new opportunities as they present themselves. Setting ourselves a project is an excellent development tool.
Initially setting a photographic project needs a brake on the ambition. Make it small, give it a defined beginning and end and give yourself the time to complete it. A two, three or seven day project is a good start if this is all new to you. Take one subject and give ourselves a three to seven days to shoot as many variations of the theme as we can manage. Inside or out. Table top is a really good place to start, the important thing is that we think and think critically about the images we are taking and explore variations.
There are books that do some of the work for you by giving tasks, some easier than others, the idea being we go out and shoot the assignment given to us and print and mount the best one in the book. We can go more DIY and use photocorners or some other mount and a reasonable size note book, something we can write our ideas and reflections on. There are plenty of lists out there for projects we can work through. The thing is not how good is it, but how do I change this for another story? Practical measurements can be taken from the Exif data but the key is much more likely to be in re-ordering the elements in the frame or making the light fall a different way.
What quickly becomes evident is that having a clear end in mind is a good place to start. The journey is where the learning takes place. An essential, when doing this sort of thing over time, is to take notes. The artist’s sketchbook is a centuries old instrument that is a fantastic development tool. It’s for photographers too. The contact sheet, not only a film phenomenon, also has great value but as an extension to a sketchbook rather than a substitute.
So why go to such lengths when we can go back through our photographs, especially those of places we have visited frequently? Well, I am not a very prolific photographer and the hard drive on my lap top contains 49,000 image files, all backed up on an external drive since you ask, with about 10% of those on Flickr in albums. The Flickr account makes it quite easy to go through similarly themed images and I do, occasionally, revisit some of the images on there and re-edit as an experiment, especially the ones from when I was getting back into photography about 5 years ago. Even so I keep a notebook for the odd thought that occurs or note on a method and writing this blog helps put context around what we do each week at club. The lesson from that is volume needs structure if it’s going to be useful. Too much choice is as grievous as too little.
Then there is the reworking of the angles as we looked at when talking about Moving and Zooming in mid-January. Point of view is very important. A picture of a cat or a dog at their level (i.e. ground level) is very different than one taken looking down which reduces the power of the subject in the frame (the opposite is true of looking up, which is why so many Chief Executive pictures are taken from a lower angle and tell us a lot about the person being photographed). Reworking the angles of the light falling on the subject is a key way to affect the mood of a picture.
Basically if we want to improve there are plenty things put there that we can do for ourselves, or we can share with others. Feedback is the breakfast of champions, according to Ken Blanchard, a management consultant rather than a photographer, but nonetheless we have first to create something to reflect and feedback on.
So 2012 has gone and we are in a brand new year. What does it hold for you photographically? Are you just going to continue as you have been? Are you going to step up and try to improve? Many photographers take on a project or attempt new things at the start of a new year. I guess its part of the New Year Resolution idea. To try and better yourself. So just what can you do to try and improve your photography?
How about starting a 365 project? What’s that? It simply means you take a photograph a day every day for 365 days! Sounds like hard work? Well to be honest it is but there are lots of people that do complete them. Some people make them even harder by only doing self-portraits and creating elaborate shoots. Others simply take a picture of anything and use that as their image of the day. There are lots of groups on Flickr dedicated to this type of project.
For those of you that find the thought of creating a picture per day daunting how about 1 per week? There are many who prefer or only have the time for a picture a week. Although just like the 365 projects these can take up quite a bit of your time. There are a similar set of choices for this project as well, you can choose to do only self-portraits, have a different theme per week or just do what you feel like at the time. Again there are a huge selection of groups to be found on Flickr. Some let you know the themes weeks in advance such as the LensProToGo52 Week Photo Project others tell you the theme at the beginning of the week or you can choose a theme to run through the whole series of 52 images the choice is yours. I’ve provided a link to search results on Flickr for the 52 weeks projects here.
If the thought of tying yourself down to taking a photo on a schedule doesn’t appeal to you how about starting a project of your own? One popular project that not only helps improve your photography but your confidence in talking to & taking pictures of complete strangers is the 100 Strangers Project. If you decide to do this then obviously you have to take 100 pictures of total strangers and yes that means you walk up to someone on the street and talk to them ask them if its ok to take their picture and spend a few minutes getting to know them, trying to get them to relax a little so that they are at ease in front of your camera. Of course you can make up your own project such as documenting a particular area or whatever you want. To get you pointed in the right direction here are the results of a Google search for Photography Projects
You might think projects & challenges are pretty much the same but I’d have to disagree. To my mind a project is something long term, something you keep going back to and adding more work to over a period of time. Whereas a challenge is something short, something to get your teeth into and have a result in a fairly short time. So what would I consider a challenge? Well how about fitting a fixed length lens to your camera (or taping the lens to a fixed focal length if you only have telezoom lenses) and setting it to manual focus at 3 feet! Then just walk around and take pictures. It’ll certainly make you think hard about your composition and subject matter! Or how about going up to the local phone box and trying to take as many different pictures of it as possible? Or do that with a tree in the park. Want more suggestions for a challenge? Here are the Google results for Photography Challenges.
Hopefully the thought of taking on a project or challenge appeals to you. If it does fantastic go out and get started right now! If your sat there thinking “why should I bother?”, maybe you just need a little shove to get you going. Start talking about it at club meetings, see what others think and the more you talk about it the more likely you’ll think “yeah let’s do it”. Now you may have noticed I haven’t really given you lots of information in this post. Well that’s because I work on the theory that if you really want to know something and have a desire to learn about it then you will put the effort in to finding out what you need to get started and do it. I’ll rarely hand you the answer on a plate and say there I’ve done it for you so you don’t have to. Sometimes I might not really have a choice but I would prefer you to spend a little effort discovering what you can do for yourselves. Trust me if you figure it out on your own you’ll be a lot happier and your confidence will get a boost. So please go ahead research these types of things and try them out. You never know you might just enjoy it.