Blog has taken a bit of a break these last three weeks – what do you mean you haven’t noticed? – so this week is a little bit of a digest of things that have crossed my viewfinder. Over this period the club has been up to Gloucester for a very pleasant evening and a model photo-shoot around the docks, Bath for stroll around the Royal Crescent and Severn Beach for the sunset. Our thanks also to models Ashleigh Claire, Keith Bristow, Carl Hawkins and Alice Jordan for their endurance and patience at the Gloucester Docks shoot, which from Facebook seems to have generated some interesting shots. Not quite as billed (the theme was originally going to be Victorian) but it was an entertaining evening nonetheless and we had the space largely to ourselves and another photographer and model who were doing a shoot. There was also an American car meet going on and all in all it was an interesting, if slightly humid couple of hours.
But the humidity of Glos. docks was nothing compared to a windless evening in Bath, which seemed to pile heat upon heat. Severn Beach was a little more civilised even if the evening did end in rain. The fact is we don’t very often get extreme weather in this part of the UK, for which we should be grateful, but still half a dozen people have lost their lives on the coasts around the UK in the last ten days or so. In fact the climate and geology of the UK is particularly stable yet still manages a huge variety of land, sea and urban views. But it’s not without its dangers.
One of those is people taking exception to you taking photographs. In this country the level of paranoia around children and photography is on the increase. I met with this some years ago – taking photographs of my own children. Now I am a reasonable man but telling me (wrongly) what I can and can’t do vìz a vìs the photographing of my own children in public, does rather try my patience. It always pays to be polite though and I am sure I was a lot more polite than I seem to remember being.
Scare stories are will always generate interest, trouble is when people act erroneously on them. And, of course, different countries different rules – over the weekend it has emerged that the “Burkini Beach” photographs of the armed French Police enforcing the law have led to the former Mayor threatening the prosecution of social media users sharing pictures of them doing so. Now the reasons for doing so are complicated and the reason for the Burkini ban is tied up to do with the 84 deaths on Bastille Day in the City of Nice, where the photos were taken. The point is, whatever you may think of these rules (a) ignorance is no defence and (b) your opinion of them does not change the law.
So, simply put, find out what these rules are before you take the camera out of its bag and stick with them. This Facebook Page is a good place to start.
On a more cheerful note the 2016-2017 season starts at the club on 1st September and we are kicking off with an event called my summer, where members bring in photographs they have taken over the summer and present them. That’s a sort of hint.
There is a lot on the programme again this year and we urge all members to participate as widely and as often as possible – it’s sort of the whole reason for the club after all. One issue that has arisen and needs addressing. The evenings where we use models on the basis that they get the images we take in return for their time do require that we honour our side of the bargain, whether we as individual photographers, think they are good enough or not. It doesn’t take much time and it is only fair. We can now use the photo entry system so that can be covered among its many other attributes, I believe, as it can be set up relatively easily, so no excuses really. Give up your best three (at least) and let the model worry about whether they are good enough or not.
We are fortunate in having such an active club but we also recognise and welcome new members. There has always been someone around to answer questions and there is quite a breadth and depth across the club and members always seem happy to give freely of their time. Long may it remain so. The programme for September includes: Photo’s we have taken over the summer break; Q and A session; A talk that looks distinctly chilly; and a photo mini marathon, ever popular. That is all in the next five weeks (photo-marathon and photo-marathon judging taking place in consecutive weeks).
So, what is your goal for this season? It’s always a good idea to have and we learn more when we have an idea of what success looks like. It might be to get yourself off auto/programme, not actually sins in themselves but the tool is making decisions for you creatively and artistically. There will be plenty of opportunities within the club schedule to practice that and to ask people about how they do it and why they do it that way. You might want to set yourself a one a day project over 7, 28 or 365 or some other number of days. Or take on some macro or portrait projects, the point is there are lots of opportunities and there is a lot of experience in the club, you can call on. Essentially next season is what you make of it, and the club is what you make of it, the opportunities are there for the taking.
Last meeting was convened at the Grand Pier Weston Super Mare for a evening’s photography along the front covering both Weston Bike Night, the beach and the sunset across the Bristol Channel. Have to say that the clouds and the sun didn’t disappoint and the turn out wasn’t at all bad given the weather forecast and people’s work commitments. Certainly the black of the rain bearing clouds in banks and the gold of the setting sun made for interesting vistas out over the Channel to Flat Holm and Steep Holm. Of course there was also the Grand Pier itself, which is not exactly a hidden feature, Brean Down and Knightstone Island.
So this week a little on photographing motorcycles. It goes for cars too but your Blog editor is a motorcyclist, so that’s what we are mainly going with. There are not quite a half dozen of us in the club I know as motorcyclists (there are a few more former motorcyclists) and a couple of us have trekked with our cameras over the years to the National Exhibition Centre for Motorcycle Live and other venues and events. As machinery goes motorcycles are actually quite photogenic, but they are not, necessarily that easy to photograph well. In the street they are either moving among traffic – not the easiest of things to get a clear shot of – or parked on a side stand – occasionally a centre stand. Usually among other motorcycles, which doesn’t always work out favourably for photographers. In more rural settings they are generally a blur of noise and speed, or parked up as per the above.
Certainly shows and sporting events are the best way of getting chances to shoot more memorable images. Also going to and from events like the Weston Bike Nights (Thursday’s over the summer), Poole (Tuesday’s and, possibly, the biggest in the UK) and Paignton (Wednesdays) at a suitable and safe place can be good too. Static displays can be captured at wide angles but the pictures with movement in generally speak to short telephotos. This speaks to both practicality and safety for you and the riders, who, by and large, tend to be quite friendly.
The most important element, as ever, is the photographer, not the equipment, but as we are talking equipment then the statement about lenses made in the paragraph above needs to be qualified. The “best” focal length is probably short telephoto, certainly 50mm and above. The reason for this is that the shorter, wider lenses, add an element of distortion which can exaggerate the length of frames or make wheels look, well, not very round. This is fine if that is the look you are after, but accurate record (side on) shots, regardless of how creative, really need a perspective that 50mm and above create.
Apertures, more often than not, tend to favour the wide. This is because the background easily distracts and it is not unheard of for there to be gaps in the bike frames, especially on classic bikes, where in focus backgrounds can be a little diversionary. In fact one of the best pieces of advice I have been given about taking a photograph I have heard – though it can be a counsel of perfection as with any other – is start with the background first. Keep confusing strong lines and confusing strong colours that clash with the paint scheme of what you are trying to photograph out of the frame as much as possible. Of course, if you are photographing a row of motorcycles then the depth of field might well need to be deeper, but generally a moderate depth of field will allow for some background blur and sufficient depth to allow for the bits that stick out of the frame to be kept reasonably sharp. Remember here we are still talking about taking images of static bikes.
As with most forms of photography a low angle to the sun helps with illuminating the subject, so getting up early in the morning might not be avoidable, though Bike Nights cure this affliction. However, shooting from a low angle is pretty much standard. One other piece of equipment that can prove invaluable is a reflector. You can get a 5 in 1 cheaply enough from eBay (I have seen 60cms reflectors for £5 and 110cms for a shade under £10), and it is a good investment because more often than not there will be areas around the engine that are in shadow and rather than faff around in post light reflected back onto the engine and frame can eliminate the problem at source. Also very useful for other sorts of photography too.
On the move there are a different set of circumstances to be taken into account. Primarily safety. It’s very easy to get lost in that narrow field of view that is the world through a viewfinder but we have to be, legally and morally, aware outside of it. If you want movement shots at the Bike Night or other event get to know the approach roads on a map before you go. Roundabouts tend to be a favourite, the larger ones at times without too much traffic flow are generally good for getting pictures of bikes at an angle of lean. Actually any bend is good that requires more than minimal input from the rider. Lenses will depend on the situation that you are taking the pictures in, but again telephoto makes more sense, especially from the point of view of safety. Of course you won’t be the only one who has thought of that, and some people make money out of doing so – some organised events have cameras at the entrance so you can see yourself arriving – for a price. Whatever the case you are going to have to sort that out according to the location and some common sense.
If you are at a motorsport event then there are a couple of givens. The pro’s have all the best spots. You will be a longish way back from the actual action. That said there are a couple of obvious things you can do about that. Position yourself on a or as close to a bend as you can. Easier photographing a bike doing one mile a minute rather than three miles a minute. Your autofocus will thank you. Actually it will thank you for turning it off and zone focusing (pre-focusing), but more critical is slowing the action down relative to the camera position (usually head on or as close to it as is possible safe and desirable). Motordrive is an option that shouldn’t be over looked but it has to used deliberately. Spray and pray won’t get you a huge amount of useable material. Chimping is a great way to miss the action totally. Panning is an art that requires a lot of practice but if the shutter speed is low enough and the focus on the moving object good it gives a great feeling of speed (which actually can be very low, as per most supercar on road magazine shots). Go out and give it a go its actually rather fun.
N E X T W E E K
Tintern: – which means bridge tolls so lifts etc might be a good idea.
Meet in the Abbey Car Park at 7:30 pm.