Ian Wade was our return guest speaker and showed his grit fighting a cough that was progressively stealing his voice. Our thanks for your dedication and persistence and congratulations on getting through to the end, Ian. You delivered a good ‘un.
So a few things have changed for him since 2014 and his photography has adapted, the projects are a little more local, now and you can’t get much more local than your own back yard. Yet that is one location where he has conducted a wild life project on snails and that is a lot more interesting as it turns out than it, possibly, sounds.
The project is a sound vehicle for honing our photographic skills, but also can be useful in extending our knowledge base of a subject. In fact doing so enables us more as photographers. Photography, taken even remotely seriously, is far more than camera, point, shoot, chimp.
So there are no shortage of ideas for photographic projects. But the use of such a device is probably more critical to its outcome than the subject. What do we, as the controller of the project want to get out of it? What do we want to show? Who is our audience? What format do we want to show it in?
We need to settle these big questions first – that doesn’t mean that they are set in concrete – they can change but we need to know what they are changing from to what they are changing to. An outline to start with covering subject; goal; time-line; final format, goes a long way.
When new to photo projects it is a well to curb our initial enthusiasm for the project by making it a short one. Keep It Short and Simple. The technical challenges come in making the next image better than the last one, and in making acceptable variations.
Longer projects, especially those like a 365 (one image a day for a year), are far harder to keep going than those which have a briefer time line. Better to arrange our project around our free time than trying to arrange our lives around the project. Starting, and keeping, with the end in mind doesn’t mean you have to turn yourself into a hermit.
Who you are shooting for (yourself/friends/family/other) and how informs the whole process, guidelines are useful and not all tangents are a good idea. To this end keeping a photographic journal, in print or on line, is a great idea as it helps us to keep track of how we arrived at our end but also allows for exploring other ideas and variations for a later date.
Also it is not a bad idea to share. Sharing not just the outcome but also the labour, in other words collaborating, helps as we have other, hopefully empathetic, perspectives on the work. This can be between a day shared to a whole project, other perspectives can be very enlightening. Another photographer at least speaks some of the same language as we all share in doing the same thing.
101 Corner – Composition #2
Composition is all about how we arrange the objects in the frame we generally call the viewfinder. It is how we use the fall of light to make an interest in a subject by arranging the subject within our frame. The image is a recording of this.
We have already looked at Tools for Thirds, Leading Lines and Frames. This post we will look at three more.
Patterns and textures are something that our brains seem particularly fond of. Patterns are formed by repetition of shape and or line. Textures are the visual qualities of the surface of an object, revealed through variances in shape, tone and colour depth.
Filling the frame always brings to mind Robert Capa’s admonition that if your photographs aren’t good enough it’s because you are not close enough. Photographs work best when they are about one thing. Get closer with a longer focal length, then use a shorter focal length and your feet to zoom in on a subject. Then compare the two frames.
The tool of odds is again a way of splitting up a frame. This is something that can be contrived in such as a still life, or found in the wild and on the street. It is also probably numbering 5 or less.
Each of these is an easy half hour mini project. Work your way through each then list the things you like and dislike about the images you have captured and make a note of what you would do different next time.