And so the season is now officially over with the presentation of the trophies, but not the events, this Thursday Weston-Super-Mare, get there early as there is lots to see, not least because Thursday night in the summer is Weston bike night. Two weeks ago there must have been a couple of hundred bikes and not a few trikes of every shape, size and paint job, so lots to look at. Starts getting busy around 6pm and there are the other, more permanent attractions to look to as well. This being the summer break from Wick Road, I thought I would use this opportunity to look at just how much is actually going on in our hobby from a quick snapshot of the photographic headlines this last week or so.
Starting, of course with our social evening. I have drawn up a table of winners which you will find in this linked document 150716 Reflex Award Winners 2014-15 and will let that and the strong forward looking feel and commentaries from the AGM speak for the club, and a special thanks to Mark O’Grady for pulling all this information and for all the behind the scenes work. There is a lot of it.
It has been quite an important ten days or so, no, strike that, a very, very important ten days or so for your rights as a photographer. The European Parliament, as I have written about elsewhere held a vote on the European Commission’s proposals, a lot of them as it turns out, for harmonising copyright across the European Union. In itself that is important for the future of photography and photographers among the 500 million EU citizens covered by such an agreement. One of the proposals was to adopt the system whereby public buildings – including furniture like statues that form part of the designed space – should have the copy right of the designers protected and thus photographing them without the architect/copyright holders permission would constitute an offence (civil rather than criminal as far as I can work out). Half a million people signed a petition against this clause which was withdrawn on the day of the vote in face of this opposition. The Freedom of Panorama as it has become known has been maintained, though you should still check what the local laws are on these things because any necessary changes have to be enacted in national legislation (and that can take years). Still, three cheers for democracy.
A triumph for UK photographic technology this week, the sensors that recoded the Pluto images were made right here. It took four and a half hours for the information to get back from Pluto and another 1 hour at Boots to get them developed, but scientists seemed very pleased with the results. It’s a fantastic achievement. OK, you can print them quicker at home, but you have to buy all the kit and have somewhere to put it, not to mention the exorbitant cost of ink and paper.
You wouldn’t want them to all be out of focus like those from the Hubble Telescope, but as of next Year that won’t be a problem for owners of the shortly-to-be-released Panasonic GX8 when a 2016 firmware update will allow the user to “Post Focus” an image – something we talked about a month or so about. The firmware update will also apply to the FZ-300. The capabilities of consumer electronics companies cameras being released now represent a step change from that being evolved by Canon and Nikon, who still have 85% of the market between them. Of course there will be arguments about whether bells and whistles are what are required, but if you’ve been around photography long enough be sure that you can save a lot of time and ear ache and get on with your photographic life by substituting the words “Film” and “Digital” with the words “Proper” and “Toy”. For those of us longer in our remaining tooth we can substitute the brands “BSA”, “Triumph” and “Norton” with “Honda”, “Yamaha” and “Suzuki”. That ended well for market leaders, didn’t it?
There again “You don’t need all that technology to make a photograph”. We’ve heard it and seen it from Justin Quinnell back in March and it’s an idea that has momentum. Pinhole photography is practical, simple and gives you time to think and reflect. The very opportunities that digital gives us can also work against us – especially the “I’ll fix that in post”. There has always been a post and there has always been fixing but there is no substitution for time and care spent on understanding then composing your subject. The idea that the image represents more than what you see because you invest in one that has a connection with you is pretty much as old as art and we’ve been over the whole Gestalt thing elsewhere. Taking time when time is what you’ve got pays dividends.
Finally, if you think that grain is a problem in your images, take a look at this adaption from the film days ….
W-S-M. Thursday 23rd. Be there!
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Reflex Open Competition Results
The winners and runners up in the 2012/13 season of the Reflex Camera Club Open Competition. Congratulations to you all and a huge thank you to everyone that took part.
1st Suzanne King 65 points
2nd Maurice Thompson 39 points
3rd Julia Simone 37 points
1st Richard Price 37 points
2nd Mark OGrady 27 points
3rd Angie Nelson 25 points
1st Suzanne King 44 points
2nd Richard Price 38 points
3rd Angie Nelson 36 points
Photographer of the Year
1st Richard Price 75 points
2nd Suzanne King 65 points
3rd Angie Nelson 61 points
Best Digital Image (Stan Scantlebury Shield)
Best Printed Image (John Hankin Shield)
The following Novices are promoted to the Advanced Section:
Suzanne King, Julia Simone, Wendy OBrien, Dan Ellis, Gary Horne, Maurice Thompson