Since last post we have been end of year social and we have had the last of the competition rounds – the trophy rounds. One more speaker at the school and then we are off photographing (weather dependent hence some of the apparent repetition, see website closer to each date):
- Bath (18th July)
- Colliters Brook Farm American Car Evening (24th July – yes, on a Wednesday night) OR Weston bike night on 25th (see club website closer to the day)
- Portishead Marina on 1st August
- Colliters Brook 7th August
- Bristol Harbourside 15th August
- Weston Bike Night 22nd August (or Colliters Brook on the 21st, inverse of above)
- Weston Classic Car Show 27th or Old Severn Bridge walk over 29th.
Bit automotive heavy but that’s driven (pardon the pun) by what is on those nights or thereabouts and are travel friendly to hereabouts.
The competition rounds are always provocations to thinking about our own photography, from what we would have done given the subjects and compositions of others to, maybe, emulating or doing similar stuff of our own choosing.
Congratulations to the winners (see website and Facebook for details).
Speakers nights also do this for us, at least the ones that are about what we can do within our budgets and don’t involve paddling up the Orinoco River on a leaky bamboo raft. Somehow Brislington Brook doesn’t seem to quite compete on those terms, though the wild life can be occasionally challenging.
Being evening shoots on our road trips, the sun will be low and as the weeks roll by softer, earlier. This is, of course, a time of day preferred by many – especially those with a love of the Golden Hour and an aversion to getting up at the crack of dawn. Just polling up and picking off the beauties of nature’s bounty as they present is one way of doing it, but a little pre-consideration goes a long way.
As the sun sets and the golden hour gives way to the blue (or precedes it as sunrise) there will be more and different opportunities, crowd blurs, light trails, bokeh heavy street scenes and so on. There is something special about an indigo sky – it last but a few minutes – but there are lots of opportunities to take advantage of whilst the blue hour lasts and again being ahead of the game helps.
The blue is a function of the sun being below the horizon, either going down or coming up and the wavelengths of light. It is deeper, richer than the blue of the day. The blue of the morning tends to last shorter than the blue of the evening, but you pays your money and you takes your choice.
One thing that we will find is that the longer our exposure then the longer the image will take to write to the card, usually the equivalent of the exposure – I have known it longer. This time can be limited by going into our camera’s menu’s and turning the in camera noise reduction off.
It also presents a great opportunity to experiment with blur as I mentioned above. This can be in the clouds, in water, in light trails of passing vehicles, or even passing pedestrians. By necessity the lower light levels, combined with lower ISO’s to get the best quality and also a movement effect in a still medium, will mean longer exposure times.
A variation of this interesting effect can be had by using a flash gun but setting our camera/flash synch to second or rear curtain. This especially when you are using a longer exposure and it can be done outdoors or in. Both moving and still elements combine, isolating the lonely figure in the crowd, for instance, or recording a brief history of movement and expression.
Do remember to set it back to front or first curtain though, or subsequent shots will be effected and we don’t always hit on the reasons when it’s been a time between flash sessions.
Multiple exposures, taken to put together an HDR or High Dynamic Range image in post production, are also an option in the blue hour. These are especially relevant when there are areas of light and dark that are not normally rendered in a single image being outside of that particular sensor’s ability to impress data at those extremes.
Now there are pros and cons to using HDR software as opposed to techniques like exposure blending (basically using luminosity masks) but that is for another day. This is just a heads up on the fact that we are not just limited to what we compose in camera. There are enhancement opportunities at a very particular time of day.
A tripod is the order of the day, though not always required, it will get you the sharpest results. A shutter release or timer setting on the shutter is also an idea to reduce shake and keep images sharp.
Lenses should be set to manual once you have focus and don’t be afraid to indulge in long exposures. Smaller apertures are good for keeping the shutter open longer and producing more depth of field. F16 and smaller will also get you a star effect on street lamps and alike.
White balance is a matter of choice but if shooting RAW you can change the white balance easy enough so just leave it in auto. ISO, start at your lowest and experiment. Blue hour can get some really interesting shots so don’t be afraid of experimentation – it will pay dividends!