Astro, portrait- and macro-photography were the subjects of our meeting this week and our thanks go out to all who contributed and to Richard Price in particular for his introduction to the Astro-photography presentation. Those of you inspired by his talk please note the postings on the club Facebook and Flickr pages for details of the proposed outings. This week’s blog is going to talk about some basics.
The basics of astrophotography are pretty straight forward. Yes you can buy specific cameras for it, Cannon 20DA (well probably not anymore) and 60Da were constructed with modified Infra Red (IR) filters so that other reds close in the spectrum weren’t affected so and thus the images presented are more realistic. No you don’t need to (unless overburdened with cash or taking this very seriously indeed) as long as you have a bulb setting on your camera and a rudimentary grasp of the exposure triangle and access to a Manual mode, you can make a start. Of course patience, a little technique (including in post processing) and a willingness to experiment are also part of the deal as is a tripod, but Richard reckons that a lens around f3.5 or faster and a cable release are the other things you need to get a start. Oh and no phobia’s about post processing. That is going to have to happen, though a relatively modest experience can get you some great results. It helps if you understand layers and masks, which, in essence, isn’t complicated, though the things you can do with them can be. They are not just confined to Photoshop, they can be found in other editors too, such as Gimp. Going as dark as you can, by which I mean as little light pollution as can be found, is also useful, but there are some things you can do in light polluted areas (the darker the cloudless sky the better) Richard particularly concentrated on the Milky Way, though the Moon and a solar eclipse got honourable mentions long the way, as that is the hoped for subject of the photoshoot planned.
Portrait photography is not something we have really touched on in the blog, which, considering its presence in the field of photography is a little surprising, but we have done a lot of stuff around the subject in the club without addressing the specifics directly (by which I mean since I took the blog over). Several members shared their images and experiences and thanks to Gerry in particular for the way he went through the process and reactions to the judge’s comments from the last round of the ROC (gallery pending, should be up in a separate post this week). There is a common misconception that you can’t “do” portraits properly unless you have a studio, enormous lighting rig, make-up and hair stylists and an enormous amount of gear. Whereas there are certainly people out there who would like to believe that, if not just to justify the outlay they have on these things which may not yet see a return in the quality of results, it most definitely is not. Different if it is how you make your living, however, and then it has to be the right gear for the situation.
The basics for portrait photography are the same as any other: a camera; a subject and a light source. As ever, it is how you put these things together that counts. Taking each in turn: The camera is, as ever, the one you have. Yes there are tweaks and options you can generate through the choice of glass on a DSLR or similar, and the white balance and exposure settings, but the basics for composition remain constant. As for subject, you want to do them justice, that means getting the best angle for the person you are shooting. The first accessory you will probably buy is a 5 in 1 reflector. The best accessory you will probably buy is a 5 in 1 reflector. It is a good way of getting the light available to where you need it. There are good reasons for investing in a studio set up (if you have the space) but there are DIY options too which are lighter on the pocket and from which decent results can be made. Learn the basic lighting set ups, get them off pat before moving on to something more advanced. At the centre of portrait photography though, the craft apart, is the relationship between subject and photographer. The better this works the more decent shots are likely, all other things remaining equal. It is as much part of the kit as speed lights, soft boxes or reflectors. It takes work on both sides of the camera for success.
Macro we touched upon in the Ask Reflex post so I will not rehash that, other than encourage you to give it a go if you haven’t and share Tim Cooper’s tip that the background is eveything. So a wide ranging evening with plenty to think about and a big club thank you to everyone who made it possible.
A N N O U N C E M E N T S
1. A reminder to join in the clubs monthly Flickr competion.
2. And whilst we are on the subject of Flickr, there is also a club Flickr space dedicated to giving suggestions to member’s photo’s they have posted. A good resource but only if you join in. There are some guidelines on constructive criticism, they are only suggestions but can be adapted. There is an image up there now looking for suggestions.
3. Next meeting we have a guest speaker, Philipa Wood. Get the skinny from Mr Painter here >>> Meeting 30th April 2015