It’s been more than a couple of weeks since I last posted. This is because I have been rather busy and I apologise for the omissions. What do you mean by “I hadn’t noticed?”
We are now on the summer break which means we go out to the club to various locations around the city and sometimes outside of it. Next meeting is at Colliters Brook Farm on the A38 between the layby and the golf course just past the Towns Talk and it is American Cars that are the subject of the evening.
We have done two shoots so far in our summer Programme, the first being the M Shed photoshoot (well outside it to be precise) with models from the local area most of whom have worked with the Dream Team that have been blocked about before. Many thanks go out to all those who participated in what was a very successful evening and was generally enjoyed by all I talk to.
Then we went for a stroll around Bedminster (Bristol not New Jersey) which is where the annual Upfest is held which for those of you unfamiliar is an urban art festival using local buildings as canvases around the North East and West Street areas of Bristol. It is Europe’s largest street art festival and it always leaves me astounded at its imagination and its breadth. This was probably the first time in ages I actually took my camera along specifically to make a record and if you can I would suggest that you pay a visit.
Both events have been very successful and we’ve even seen some members we don’t normally see when we go out joining in so that is really good. Our thanks to the Programme Team for putting these things together, A lot of hard work goes into it, and it is appreciated.
At least part of that success for us as individual photographers is turning up to something where, if we don’t know the exact details, at least we know the outline of what is going to happen. This is more important than sometimes people give it credit for, because we have many opportunities that we can shoot, but we don’t always see them when we are not focused.
I forgot who it was said that in Street photography there are two basic methods, fishing and hunting. In fishing, we go select a background and wait patiently for our subject to wander through it and because we already set up to eliminate things like lamp posts bins and what have we that can get in the way, We have a very good chance of getting a memorable photograph. Please may I did not say guaranteed as there are no guarantees. What we can do is eliminate much of the problems we get with clutter and with things like not having level Horizons through the process of pre-planning background.
When learning it is often said that the best way to do this sort of thing in the street is to use the fishing method. That is not to say that the Hunting method, where one goes around with the intention of seeking out subjects and prizing them out of their every day with the lens, is better or worse. It is the result that counts. Sorting out the background is a basic skill for any photographer who wants to progress, “Border Patrol” as it is sometimes called. This is because there is a difference between looking and seeing. But what we are hunting and fishing for is light. What we need to be looking for are the things that will draw the viewers attention to what we want to capture in the frame.
The hunting method is often seen as a more aggressive of the two and saying that there can be problems with permission and people leaping out with wide angle lenses to poke in the faces of and promoting reactions from startled passers-by, but this is very much in the minority. Could also get us locked up in some countries. Then “Easy ain’t worth nothing”.
So if we started out taking photographs of models and street art why are we talking about street photography? Basically, because we have to remember, if we are not going to miss some interesting things that we could possibly capture, we need to be aware of our surroundings. People will, in urban situations, be part of the scene. We need to see the opportunities before they turn into something we can capture that has something to say. But we need to be aware of that one detail that we need to tell the story. A photograph can only tell one story, our job is to make it a strong one. It is as much about what we leave out as keep in.